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As of late, it seems all and sundry strolling on the streets listening to tunes on their earpieces, what sound? We dont know. We assume we know. Could the punk rocker at the rear of that coach secretly jamming to Britney Spears? Or is a tracksuit-bottomed, highlight-headed lass watching for her friends, in reality moshing out with Black Flag? The pinstripe power suit on the train could possibly be a huge Public Enemy fan or the local ASBO could be a jazz fan that has a affection for Coltranes sax performance.
Those that dont dress in any music-themed garments design can remain securely anonymous to the world at large as music patrons. Or can they? Here are two brands and what they say about you:
Skullcandy are the latest-ish product (founded 2003) and designed straight in the postpunk/goth/emo/whatever crowd. The indication is in the name as well as the kid-friendly Stencilled graphitti skull brand . Created to go with bullet belts, Atticus shirts and skinny fit jeans, (the final leftovers of true subculture now comfortably removed and changed by mere consumption of impression and products in 1. Punks original image, i.e, the flaunting of poverty is overtaken by a age group ready to devour ready-ripped jeans and spraypaint-effect t shirts, I, uh, mean whatever, man). Skullcandy earpieces presented in a variety of loud colours, also as a stark black and white for optimum appeal. Given the gain in price, it seems exceedingly unlikely that a customer would acquire these headsets unless it is to create a press release about the music itself. This person (even when they are an eighty year old woman) is way more likely to be playing My Chemical Romance than they may be Mozart.
Sennheiser headsets, distinctive by their slighter, professional design are more the realm of that audiophile, the melody nut as well as the gadget freak. This person, though they may be attired in alike style to the Skullcandy kid, is way more likely to be taking note of Charles Mingus, a vintage Delta Blues or folk piece, appreciating it the way one might a exceptional wine, as well as all slight cultural nuances therein. This individual is serious about songs, and his/her disdain for bands of the time could be equally important. Expect a lecture at any 2nd on the genius of Belgian techno or a quantity of obscure Japanese arse-band (NOTE: arse-music is not a real genre...yet)
So, the peripherals we use within the 21st century say as much about us as our album collections might. Even if we dont want them to? That definitely seems to be possible, anyhow. Next: How come we iPod users so bloody smug?
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